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How We Recognize Angry and Happy Emotion in People, Places, and Things

Michigan State University, aronoff{at}msu.edu

Darwin proposed and Ekman and Izard confirmed the presence of cross-cultural regularities in facial displays of emotion. Following their work, the author and his colleagues sought to find parallel mechanisms that would permit these displays to be decoded. A cross-cultural comparison of the display of anger and happiness in masks used in ritual social functions revealed that a set of geometric patterns, rather than actual facial features, conveyed these different emotional meanings. The power of nonrepresentational visual patterns to produce meaning was examined in a series of studies using materials that presented geometric shapes in a variety of line drawings, large-scale physical movement in classical ballet, and configurations among individuals in 17th-century Dutch art. Results across all studies suggested that for the emotions of anger and happiness, at least, meaning is carried in the geometric properties of the visual display.

Key Words: emotion expression • emotion recognition • Darwin • Ekman • multimethod • sign stimuli

Cross-Cultural Research, Vol. 40, No. 1, 83-105 (2006)
DOI: 10.1177/1069397105282597


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